“Giglia by the Sea”
You see her there, my great great grandmother? She is sitting in the
sand by the sea. She is
bare-legged, raw faced. She is
crying. The waves are slopping
over her legs, spread wide. The
cool water rises between her thighs.
The salt stings the tender dark skin there. The white flaxen gown she is wearing is pulled up to her
womb, and it is soaked and it is clinging to her swollen belly.
She has no name, and so we will tell you, my sister and I,
that we have invented her name. It
is Lily. In Italian, it is
Giglia. Pronounced with one soft g
and one that is completely silent.
Jeelia. Was it a red lily
like the ones that grow in my garden today? Or yellow or white?Jeelia. Was it a red lily
The pockets of her white gown are filled with wooden
clothes pins, grey weathered clips that she uses to hang his clothes on the
line. She fingers the hard wood of
the pins through the soft white gown, and something makes her take one out of
her pocket. She throws the clothes
pin into the sea.
Uno.
And then another. Due.
And another. Soon, all of the clothespins are sinking down into the ocean. A new breed of tiny grey fish, she thinks. Avannotto. Small fry, that will swim alongside the bigger fish. Baccala. Pescespada. Cod and swordfish.
She smiles. Looks out across the water. Her teeth are perfect and white. Her caramel skin is tight across her nose. Her cheekbones arc at just the right angle, and her jaw makes a perfect presentation for her lips.
The first time he took her into his bed, he blamed her lips. She was standing at the stove, stirring, when he took her face in his hand and grazed her lips with the tips of both thumbs. Then he parted her lips and kissed her. She dropped the thick ceramic plate and it broke into four pieces on the tile floor.
The sea is becoming a light green dome. It looks to her now like an endless
green belly, the belly of an ocean princess, un principessa, who, like Lily, is
fishing for love. Love that looks
like liquid coins. Love that
glitters gold in the sunlight. As
soon as you try to touch the coins, though, or hold them in your hands, they
sink through the water like hard grey stones.
She splashes her face with water. Licks the salt water off her lips. Across the sea, the sun is cutting up
through the horizon, a red yolk splattering the white of the sky. Soon she will
have to return to the house to fix his coffee. To lay out his roll and butter. Soon she will begin to fix the minestra for his lunch.
But for now, she lies back on her elbows in the gritty
sand. She lifts her gown above her
navel. Up to her swollen
breasts. The nipples are dark sea
urchins floating in the sea. She
smiles. She will have the neighbor
women talking. She laughs, that
deep throaty laugh he tickles out of her after they make love.
The neighbor women are already talking.
She gazes out to the sunlight dancing on the green
water. Closing her eyes, she pins
the edges of her belly to the wide green sea, and then, pinned to the ocean
that way, she flutters freely in the wind like a piece of seaweed. A piece of ocean laundry.
Letting her head drop to the sand, she is everywhere
covered in pale light. Soft
water. The sea carries the morning
light up and over her belly and her breasts and tickles her neck. Her chin.
The smell of seaweed is in her nose. The gurgle of waves is in her ears.
The water foam touches her lips. And then, just when she can feel that the next wave will
scoop up and over her face, she hears the bell.
The bell. Always the bell.
She
left half the laundry on the white flat stones by the house and she ran here to
the water, and now no doubt Griselda has arrived for the day. But Griselda cannot tell her
anything. Not anymore.
Lily pinches her nose closed with her fingers and holds
her breath and lets the water rise where it will. She bubbles the salt water out of her lips. Her dark hair flares, coppery brown
seaweed uncoiling, in and out, in the green water.
The bell rings harder and harder. The woman’s old voice follows. It carries down the craggy hillside
covered in fig and olive trees. It
carries into the green water. It
sinks into her ears.
Giglia! Giglia!
Please, she thinks.
Please. If she could swim,
she would dive in now, and swim as far as the red splatter of the sunrise. She would swim until her arms ached and
her legs would paddle no more.
But she cannot swim and she cannot run. Not now. Now she belongs to him.
Up at the house, the laundry she washes is not just his laundry anymore. Now, his laundry is mixed freely with her own. His white shirts. Her aprons. His briefs. Her bras. His handkerchiefs, each embroidered in blue. J.S. J.S. J.S. Her nightgown, edged in hand-crocheted cotton lace.
Next to the white clothes, he has left her his soft
chamois riding britches. That is my best pair, my darling
Giglia. Make sure you are careful
with the soft leather patches there between the knees.
She runs out of breath and sits up and her hair coils down around her shoulders. The white gown is grey with grit. She places her hand over her belly. Whispers something inaudible.
She stands. Her hair is matted in wet sand and water drips in sheets off the bottom edge of her gown She turns around.
The laundry is waiting.
1 comment:
Fantastic start. I love her name especially because of the flower and the nature of the flower. Don't stop!
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