Wednesday, December 24, 2008

What Santa Brought Me


By Florin Ion Firimiţã

Christmas came early to me this year, on the evening Barack Obama was elected the next President of the United States. Suddenly, I experienced a miracle: after many years of doubt, I started believing again in Santa Claus.

My friend Paul, a New-Zealander turned Parisian, with whom I occasionally spend lazy summer mornings in a café in Southern France, emailed me right away: “Wow! Your adopted country has always intrigued me,” he said. “You guys have the best and the worst of everything.”

Coming from Romania, whose presidents kept reelecting themselves until they end up disheveled and unapologetic in front of makeshift firing squads, or they are replaced by other dictators-in-waiting, I am not a big fan of fake revolutions, and I am suspicious of any mélange of fantasy, politics and euphoria.

Back in the 80’s, in Romanian classrooms, we pledged allegiance to the Almighty Leader while listening to Bruce Springsteen on the banned short-waves of Radio Free Europe, furtively looking across the ocean: we had the worst, and the best came only from America. We were also suspicious of miracles. The official Santa Claus (or the more politically correct “Father Christmas”) was definitely a Communist (favorite color: red) on the payroll of the secret police. (I have always been suspicious of his gift for knowing both when we were sleeping and when we were awake, and also his ability of sliding up and down our chimneys without being detected.)

In 1981, when Ronald Reagan became the 40th President of the United States, in Romania we kept waiting for him to show up on a white horse and give us a lift. The dream didn’t last long. After a while, we feared that he could be just a B-actor with no interest in coming out of his movies and saving Eastern Europe from the dark basements of the Cold War. For us, the President of the United States existed mainly as a television myth, as unreachable and unreal as Santa Claus, or our own local dictator. The faith of our corner of the world had actually been decided way before the 80s’ when Stalin and the rest of the world powers sliced up our side of Europe like a tired, reluctant pizza. For decades, Romania has always been the poor Eastern-European girl hoping to marry the cultured, sophisticated New Yorker, but ending up with the bloody-handed KGB boy next door.

Why were we so disappointed that the Americans had failed to show up at our doorsteps? After years of waiting, it seemed that we had lost the battle. Except for its voyeuristic, slightly condescending attitude, the so-called “civilized” world stopped paying attention to our nightmares. Eastern Europe with its gypsies, gymnasts, and dictators couldn’t have been more than an exotic spice at the table of the rich Westerners.

The real Santa, rumors went, had defected to America.

I moved to the United States in 1990 and enthusiastically became a citizen in 1995. Still, American politics left me pretty much cold. I lived, like most of us, in my own bubble as an artist and a writer. Democracy was a given, politics was not my turf.

Over the past eight years, however, I have gradually started to feel both guilty and angry. My growing sense is that we’ve become increasingly trapped under the soft parentheses of our iPods; we are distracted by fresh scandals here and there, we are preoccupied by our endless quest for individual happiness (more, bigger, better), numbed by our designer cell phones, blinded by Britney Spears’ shaved head, and stuck on the soothing mediocrity of “Dancing with the Stars” and “American Idol.”

We had forgotten that democracy is an active, participatory venture.

All the while our soldiers died in Iraq and Afghanistan, and bodies decomposed for days under the New Orleans sun, we kept buying Hummers and stuck Chinese-made yellow ribbon magnets on them, calling ourselves patriots.

In my adopted country, where capitalism cleverly has been able to transform I want it into I need it, where we use nature as a backdrop to sell SUVs, antidepressants and investment plans, where competitive eating has become a sport, and losing weight has become a form of entertainment (I bet no one tunes in to those shows in Rwanda), I have a feeling that we have not learned much from the tragic lessons of September 11.

Last Christmas, when recession was only a laughable rumor spread by liberals, I found myself in a store on Madison Avenue. There I saw a $38,000 Roger Dubuis wrist watch and a pair of shiny Gucci crocodile pumps for $4,200. With all due respect to capitalism, I felt a latent Commie breeding inside me, quietly raging against all the Carrie Bradshaw wannabees taking the “Sex and the City” bus tour around Manhattan.

Measuring our life goals by the ever-increasing size of our flat-screen TVs, mesmerized by the promises of bigger and better toys designed to make us forget, our fingers glued to the buttons of our shiny electronic devices, wearing the masks of “compassionate conservatism” and greed disguised as patriotism, we have been watching our ideals turn into addictions. Santa might have once defected to the United States, only to have ended up on “Celebrity Rehab.”

What happened to my Promised Land? What happened to Democracy? What happened to the Politician as the Servant of the Nation? Where were our moral, spiritual and political leaders? Why have both wealth and poverty become nests of civic impotence? And when was the last time we had a truly presidential President? In a country that emphasizes so much competitiveness, creativity and achievement, why were we stuck with a leader whose ideas and actions, instead of uniting a nation, ended up inspiring endless comic skits on SNL?

On the evening Barack Obama was elected the 44th President of the United States, I was at a friend’s home, glued to the TV until one o’clock in the morning. I wasn't really willing to believe he was winning. I remember feeling that maybe I should start pursuing that European passport I have been entitled to since Romania became a part of the European Union. I will never forget that night, because I stopped waiting for miracles, and became my own Santa Claus, by enjoying the fruit of my vote.

Obama's victory restored everything I believed in when I came to this country. It’s true, our new President faces enormous challenges. With more than 10 million Americans out of work, and an economy in free fall, maybe this is not the right time for that $300 showoff bottle of Dom Perignon champagne, but we could restart on a smaller scale. I have always been suspicious of any mélange of fantasy, politics and euphoria, but this December, please allow me to believe that the best is yet to come.

I emailed back my friend Paul, reminding him that, in a sense, he was right: we create our own best and worst in this country. One of the givens of living in a democracy is that we have to live with the mistakes we make, but fortunately, while presidents come and go, the country remains.

Obama’s election brought back my old belief in democracy not as a collective numbing, but rather as a form of elitism for all. Time is as an equal sieve for rock stars and writers, Presidents, artists and athletes, but I believe we all he have a role in a democracy. I also know for sure that, if in charge, either Joe Six-Pack or Jerry Springer would definitely have lost the Cuban Missile Crisis. Could you blame me that I feel more comfortable with a confidence-exuding, articulate, brilliant African-American holding Columbia University and Harvard Law School degrees to represent me at home and in the international arena? And while an unlicensed plumber is perfectly entitled to get an agent (!) and a book deal for irrelevant opinions someone else helped him express, I feel quite free (and relieved) to stick to the classics. Welcome back, Santa! Because of you, democracy has been proven one more time, a very effective way of taking out the trash.

Florin Ion Firimiţã is a Romanian-American visual artist, teacher and author who splits his time between Southern France and the United States.

Thursday, November 27, 2008

Giving thanks, even when it seems impossible...

grey-maple.bmpAll of us know challenging days, when life seems to turn us inside out and upside down. Maybe you or a family member falls seriously ill. Or you lose your job, or the place you live. Perhaps a long-time relationship sours, or you lose a loved one. Or maybe you are forced to make a change you aren't ready to make, or to go somewhere you don't want to go.

So how can we possibly give thanks at moments like those?

It's not easy. At all. But those moments of challenge offer opportunities for real spiritual growth, if only we can turn a switch inside and heed the call to relinquish our will.

Carolyn Myss speaks often of these opportunities. The worst moments she calls "the dark night of the soul." Often, at those moments, life seems to lose all meaning and purpose.

But it is those very moments, Myss says, that can serve as a wake-up call, drawing us into a spiritual life devoted to mindfulness, and to a reverence for life in all its wonder. It's a call to cherish the present moment. As Myss says, it's easy to be grateful at a banquet. What is challenging is to live in gratitude when that banquet table is empty, when we feel lost, or alone, or desperately without resources, physical, emotional or spiritual, to go on.

At those moments, the answer lies inside. The answer is not to give up, but to give in. To yield to a higher power. To say, "OK, have it your way. Show me what to do. Show me how to live." It involves slowing down, to find more clarity, more quiet space, more time just to be. More time to breathe. More time to sit peacefully by a fire, sipping a cup of tea. More time to take walks, to notice the birds, and the texture and feel of grey tree bark, and the exact shade of the blue sky.

Thich Nhat Hanh says sometimes we smile because we are happy. And sometimes we are happy because we smile.

On this, Thanksgiving Day, may we all find time to smile. May we all have gratitude, to the extent that is possible, and some measure of peace. Even if we face challenges that seem way beyond our power, challenges that we aren't sure we can face, may we realize that those challenges humble us into a far deeper reverence for life, and for the power of the spirit.

Here is a toast, to all of you readers, on Thanksgiving Day, 2008. Savor every moment. Every breath. Every bite of food. The turkey, the stuffing, the sweet potatoes and yams. The pumpkin pie, the cream.

And every person whose company you share. Cherish it all.

Amen.

Thursday, November 13, 2008

One wrong step and....



By Claudia Ricci

A couple weeks back, my 82-year old mom was just about to get into a taxicab on Lexington Ave., right outside Grand Central Station in New York, when she stepped into a pothole. She collapsed in a heap, fracturing one ankle and seriously spraining the other. In minutes my sister had whisked her over to the ER at NYU hospital, where Mom spent an excruciatingly long seven hours having her ankle positioned (think pulling and tugging the bone). The young orthopedic resident set the bone, placed the cast, and then Xrayed the leg. Nope, it wasn't straight enough. The doctor repeated this painful procedure five times, yes, FIVE times, before she was satisfied that she'd gotten my mom's leg "right."

The next day, my sister and my Dad and my mother took a six or seven hour ride in a very bumpy cabulance, in a snowstorm, to reach their home in Massachusetts. My mother's leg, cradled in my sister's lap, bounced the whole way.

It is difficult to put into words how much pain and trauma and suffering this accident has caused my poor mother, and how much angst and stress and up-in-the-middle-of-the night worry it has caused the rest of the family.

But let me just say that today I am lying here in bed. I think all the stress of the last two and a half weeks has finally caught up to me. Oh, I suppose I could say it was that bad bowl of cream of spinach soup I ate yesterday afternoon that caused my stomach to turn volcanic last night. But honestly, I think the volcano that erupted really has a far wider core.

I know I've never worried more about my mom than I did on Monday night. Monday was the day she was discharged from the hospital where she had surgery a week ago to pin her ankle, which had four breaks. The doctor, in discharging her, insisted that she needed to go to a nursing home, so we selected the one we had been told by a trusted friend, had the best reputation.

Well, OK, I guess that reputation must have been earned one way or another. But when I got to the nursing home Monday afternoon, I had all I could do not to turn around and run out the door. The smell was overpowering. The lines of wheelchairs and reclining chairs, occupied by semi-comatose white-haired old folks, staring idly into walls and ceilings, gave me a feeling of dread I can hardly describe. I steeled myself and headed quickly for Mom's room, where I found her in tears.

The air in her room was so hot she could hardly breathe (and she's asthmatic.) Her bed was covered by a three-inch air mattress into which Mom had sunk like a hotdog in a roll. The lighting overhead was so dim you could't possibly read. There was no telephone in the room, and no TV or radio, and the woman in the next bed, a three-and-a-half year resident of the nursing home, was hardly able to communicate.

Mom told me she had repeatedly pushed the buzzer for the nurse, but nobody responded. So I got her up to go to the bathroom, using the walker. It was so frigging hot in the bathroom that I felt dizzy. Mom broke down crying, and I had all I could do not to join her. Here was my mother, a perfectly healthy woman just two weeks before, imprisoned in a nursing home where she couldn't even catch her breath.

Shortly afterward, I asked the nurse to check my mom's blood oxygen level. It was below 90 percent, which isn't good at all. I told the nurse my mom had been on oxygen in the hospital, and that the air there in the nursing home was making it hard for her to breathe.

The nurse replied, saying that my mom had no order for oxygen, which shocked me. (As it turned out my mom DID have an order, but the nurse either didn't know that or didn't CHOOSE to know that.)

What shocked me even more was what the nurse said next. "I know the air quality in here is awful, it's really stagnant." The male aide joined in to say how bad the air was.

Shudders passed through me. The nurse then left the room and came back with a fan. They set up that damn fan on my mother's nighttable and proceeded to blow the dusty stagnant hot air at the back of my mom's head. Wonderful therapy for an asthmatic!

Leaving my mother in that nursing home that night was one of the most difficult things I have ever done. But what could I do? She had a huge cast on her leg, and she could not even negotiate her way into my car, let alone the long walk up the leaf-covered sidewalk to the door of my old farmhouse.

So I had no choice. I worried about her all night, and as it turned out, I had reason to worry. An aide came in to give Mom a bedpan in the middle of the night and because of that ridiculous air mattress, the bedpan spilled. My mom woke up to find herself and her bedsheets soaked in pee. She bawled for who knows how long, until some kind young aide discovered her in the morning and cleaned her up.

Yesterday, I got on the phone and started making calls. I found a rehab center, checked on it with some contacts in the area, and discovered it had an excellent reputation. Miraculously, they had a bed. Within a few hours, my dad and I had transferred Mom out of the nursing home, and into what appears to be a top-notch rehab center.

I spent six or seven hours there yesterday and I am delighted to say the air is good, and the nurses and aides very attentive. The other patients in my mom's wing are all, like her, short-term residents anxious to get back home and into their lives (before her accident, mom was attending an exercise class three times a week.) They have phones and a TV. But even more importantly, they have a fabulous occupational and physical therapist and they do four hours of each therapy every day!The physician who checked in on mom last night was so compassionate, so insightful, so sharp, that I just sat there smiling, and thinking, ah here at last we have an all around bright light.

So there is good reason for hope.

About four o'clock yesterday, I took a break from my mom's bedside and went out to get some food with my cousin, who was kind enough to help give me moral support as I made my mom's transfer.

"You can relax now," Pat said over our bowls of soup. "Your mom is in a good place. She even smiled and joked this afternoon."

Yes, my cousin was right. Things seemed so much better. And yet, my stomach was still very literally in knots. My heart was still in such turmoil.

"It's hard to let go of worrying," I said. "I just so much want to fix everything for her."

And of course, I can't. It's going to take time.

So like I said, it might have been that bowl of cream of spinach soup that brought me to my knees in the middle of the night. But I'm thinking that there is a better, but scarier, explanation. The last couple of weeks have brought me to my knees in worry. They have brought me to the totally terrifying reality that life can go screwy at a moment's notice. Just take one wrong step. Just make the unfortunate mistake of placing your foot down three or four inches in the wrong direction on a city street, and you may face weeks, months, or even more of agony and distress.

And there is an even scarier reality too: all of us face the real possibility of landing our parents, or ourselves, in a nursing home that is horrific. I've told my sisters and my husband that if that happens to me, I want a way out, as in, a bottle of pills. Will I feel differently at some point in the future? I'm not sure, but right now, I don't know how to wrap my head around the things I saw this week.

Mom's ankle will heal. We will weather this storm. But there is such terror in seeing a beloved parent drop precipitously into an invalid condition, and have to face such pain and indignity, indignity visited routinely on elderly people in nursing homes.

I sit here and my stomach feels shredded. It rumbles and aches and I take a moment to breathe and I think, life is just so incredibly fragile. And the thought of that, honestly, is so overwhelming today that I will just stop writing now, and take a nap.

Saturday, October 18, 2008

One Blessing: A Golden Maple

Count your blessings, we say. We say that all the time. But do we? How many times have we heard the phrase, count your blessings, and how many times have we actually sat down, and counted them? Or even, noticed them. So here, here’s how, the other day, I did, I noticed.

Outside my window at this moment the sun is creating a glossy masterpiece out of a maple tree. The gentle sunlight makes even the furrowed grey bark glow. There is a long twisted stripe of fuzzy moss, snaking up the bark. A rake leans against the trunk. But what makes this tree so sublimely beautiful right now is the bounty of autumn leaves, thick and golden and hanging in dancing clusters. They seem to cry out, “Oh please look, look just look at us, look at the beauty of this natural wonder, we are leaves, we are a wondrous tree in autumn finery!” It is almost as if the spirit of the tree is saying, SEE ME SEE ME I am a blessing today. And when I stop and look, I realize. Yes. I am blessed first and foremost to be alive, and to have the power of good eyesight (no eyeglasses even!!) And I am truly blessed to have this lustrous healthy maple growing in my yard. The grey bark, its soft color, its texture in the light, even that snake of fuzzy moss, all of it is a miracle, because all of it is infused by the very energy of Creation, which infuses everything we see. We see it particularly in nature. And for that blessing, I say thank you.



Sunday, October 12, 2008

"Dog's Best Friend"



By John Grey

Is that what you're trying to tell me.
You're a man in the body of a dog.
You really are my best friend only it goes both ways.
The open door does nothing for you.

Enough of this being led around by a chain.
If we can't walk side by side along the park trails
then as far as you're concerned
you'll curl up on the couch, watch Oprah.

What do you want me to say?
Your memory is shorter than the years dogs live.
What about the time you spied
that pretty Norwich chasing tennis balls.

You almost pulled my arm off at the shoulder.
And there's that stuff you do with telephone poles
And the way you bark at strangers.
And didn't you try to bite the mailman once?

So what does that look mean?
You're the same as me, just less inhibited?
How many gorgeous women have
I longed to run up to and sniff?

Or strutted about like I owned the place
wishing there was a way to mark my territory?
How many times have I bit my tongue
regarding people whose looks I don't care for?

And who says wrapping your molars
around dead meat is more civilized
than a bloody gob full of the live variety?
Ok, I agree, you're my superior but the

city doesn't know that and there's these leash laws.
Do you want to be picked up as a stray?
Yeah, you're right, that's how I get picked up
and you don't hear me complain.

John Grey, a Rhode-Island based poet, is a frequent contributor to MyStoryLives.

Sunday, October 05, 2008

Painting Rain


By Meredith LaFrance

The rain was coming down in a torrent, angry and without any sign of retreat. Amanda peered out of the foggy window. The dirt path that began at her front door and wound its way down to the dock was barely visible through the sheets of water. She shivered. Her steaming mug of coffee warmed her stiff fingers. She sipped it slowly, trying not to burn her tongue. The creamy sweetness slid down her throat and she savored each sip.

The rain did not bother her so much when she was here on the inside looking out. The rhythm of the raindrops drumming on the roof and pattering on the window was something to live for. It was not a luxury that she had been able to enjoy back in the city. There, the rain was barely audible next to tires screeching on the pavement right outside her 4th floor window.

Thunder sounded in the distance. The lights flickered. She set down her mug and pulled her afghan over her shoulders. Easing up out of the rocking chair, she walked through the kitchen, into the study. The rain pummeled softly on the roof, blocking out all other sounds. She sat down in front of her easel. The blank canvas stared back, a white emptiness waiting to be transformed. She picked up a brush and dipped it into the murky glass of water sitting on the corner of her desk. Trays of paint were scattered across the floor—shades of red and blue and clumps of black and brown spilled over the sides and onto the carpet of newspapers she had thrown down to protect the wood floor.

Chaotic. This was the best way to describe her surroundings. She knew, though, that this was the way that a true artist painted—with absolutely no organization. For so many years she had been more than a little obsessive compulsive. Back in her New York City studio, all of her paints had had their own place and she had neatly stacked her sheet of canvas. Her desk had been impeccably clean and even the slightest spill had warranted a rag and some soapy water within a matter of seconds.

Now, as she swirled her brush in a mixture of blue and green paint, wiping her paint-spattered forehead with her stained sleeve, she couldn’t care less about what a mess the room was. Her hand was steady and her strokes precise. That was all that mattered. Regardless of her mood, with a brush in her hand, time seemed to stand still and everything just made sense.

Complication became simplicity, anxiety became relaxedness, and pain disappeared. What she could not express verbally, she conveyed through art. What she did not understand, she was always able to make sense of with a canvas before her and a brush in her hand.

She stared blankly out the window of her studio, searching for inspiration. Nothing stirred her more than the relentless, blinding rain, thunder booming right outside her door, and flashes of lightning so bright that they overpowered her lamplight tenfold.

As she continued to gaze out of the foggy pane, enraptured by the sparkling drops, a movement in the distance caught her attention. Through the sheets of rain, she could just barely make out a figure—a man—drenched from head to toe. It was an amazing image to capture. Her hand was poised above her canvas. At last, she had her inspiration. However, little did she know that she was about to do more than just create another painting, on this one rainy day.

Meredith LaFrance is a sophomore at the University of Oregon in Eugene. "Painting Rain" is a prologue to her novella-in-progress.

Sunday, September 28, 2008

A book about Obama you don't want to miss!



OK, so maybe you are fed up to here with election coverage. Maybe you fell asleep during the debates the other night. Maybe, if you are like me, you cringe at the idea that we have five more weeks to wait before we can walk into the polling place on Tuesday, November 4th, and cast our ballots.

But now comes a book -- short and very well written -- that can rev you up. I found it courtesy of my husband, political activist Richard Kirsch, who happened on it at the Democratic National Convention in Denver. Called Obama's Challenge, the book has given me a view "forward." That is, it's helping me to see how, if Obama is elected, we really might have a U.S. President who can transform history.

Kuttner, a journalist and political observer with three decades experience, refers back to three transformational Presidents: Lincoln, FDR and LBJ. He explains how each man arrived in the White House at a momentous time in history, and how each seized the opportunity to make a real difference in governing. By demonstrating true leadership, and by taking courageous stands, each President redefined what was possible politically -- Lincoln in terms of slavery and abolition, FDR in terms of labor, and LBJ in terms of the civil rights movement.

So now comes Obama. Kuttner, founder of the liberal magazine The American Prospect, suggests that the current economic crisis is arguably "the worst financial collapse since the Great Depression." Bad news, for sure. But that also makes this another moment in history when the time is ripe for unequivically bold and decisive action. The crisis at hand demands bold policies that are above and beyond politics, "bolder measures than either the Congress or Obama himself currently thinks necessary or possible."

What Obama needs to do, Kuttner writes, is demonstrate the same style leadership that the other transformative Presidents displayed, "taking huge political risks on behalf of principles that the people came to deeply respect." Principles like justice and tolerance. To do this, Kuttner says, it isn't enough just to act like one more politician, calculating policies only after studying polls, reviewing the DC circuit gab, and testing pundit opinions.

No, a transformative President has vision (which Obama has shown) and wisdom (which Kuttner says Obama displayed in his first book, Dreams From My Father.) Once elected, Obama has to exert both, taking hold of the Presidency with decisiveness and direction, something we haven't seen from a President in a long while (well, actually, Kuttner says we saw it under Reagan, but Reagan used his transformative powers to achieve right-wing ideological gains.) By contrast, the Democratic Presidents of recent times -- Clinton, most notably -- failed to be transformative because they took the safe, centrist road.

One reason Obama wrested the nomination (against all odds) away from front-runner Hillary Clinton was that she was inextricably linked to the kind of "risk-averse mushy" centrist political positioning that voters are just fed up with. The mush of the center isn't going to take us where we need to go as a nation in these very troubled times.

Will Obama do better? Will he actually serve our nation at this critical juncture? Earlier in this election season, there were indications that like so many politicians before him, Obama was shifting into centrist quagmire. He was taking stances -- on government phone tapping, for one -- that deeply troubled progressives.

But Kuttner is willing to give Obama a break. He's willing to say that maybe Obamaa had to shift center slightly to ensure his nomination.

Once the Democratic nominee becomes the man in the White House, the question is clear: will Obama, as President, rise to the challenge, will he "rehabilitate the constructive role of government, both in the minds of the people and in what government delivers."

These are scary times, for sure. But this is an exciting moment in history. And a time when progressive change may be possible in the way government steers the economy, in the way we as a nation deliver health care, in the way we forge energy policy and reform education. Will Obama stick to his audacious visions and take us where we need to go, or close?

Like Obama's own books, this book is inspiring. It lays out the way one man could really make a difference in the history of our nation, and in the lives of millions of Americans. I salute Mr. Kuttner for a job, well done!

Thursday, September 18, 2008

How exactly did it happen?

By Claudia Ricci
img_0880.jpgRegular readers of this blog may recall my post of just a few weeks ago, when I explored the idea of introducing yoga into a college classroom. Early in August, I wrote about a conference I attended at Smith College. A couple dozen university professors had gathered to create new curricula that incorporate mindfulness practices, including meditation and yoga. At the end of that post (August 7th) I said I was exploring the idea of developing a class myself.

Who would have thought that exactly four weeks later, on September 4th, the class would become a reality?

What happened is still a bit of a mystery to me, and to the young woman with whom I am teaching.

The day I went to the Smith conference, I met educators from all across the U.S. and some from around the world, as far away as Thailand.

Curiously, there was one graduate student at the conference. That doctoral student -- Rebecca Ossorio -- happened to sit behind me at the morning lecture. That graduate student, amazingly, was from the very same University where I teach (SUNY Albany.) What are the odds of that coincidence, I asked myself at the time.

Rebecca and I had a nice conversation. We ended up at the same table for lunch. We sat with a professor of history from Vassar College (where Rebecca completed her undergraduate degree ten years ago.) Rebecca and this history professor explained to me how they were planning to team up in the Spring of '09 to teach a class together, one that incorporated yoga. Rebecca, who is a certified Kripalu instructor, would teach the yoga.

Well, so, after lunch, we exchanged phone numbers, and Rebecca and I promised each other that when we got back to SUNY Albany in September (where she is a doctoral student in education) we would get together to talk. She asked me if I'd be open to collaborating on a class together, and I said, "sure," thinking we'd probably get around to THAT class in 2011.

Three weeks later, as we started back to school, I got a call from Rebecca, and a few days later, she came to my office at SUNY. And what happened then is quite mystifying. I mean, if I had TRIED to do it, I'm sure it wouldn't have worked!

Rebecca sat in my office for about 45 minutes, during which time she told me that what she really wanted to do was work with young Latina women (she is herself part Cuban.) I told her that many of my students at SUNY (in the Educational Opportunities Program) are Latina.

And almost by magic, they started appearing at the door of my office. First came Natalie, a wonderfully talented student. Great writer, very bright, and highly stressed. Last year at this time, she was having so much difficulty concentrating on her studies that I gave her some extra "breathing exercises" (i.e. meditation) to do outside of class (she did them and LOVED them and wrote about them with great enthusiasm.)

So there in my office, quite unexpectedly, was Natalie, and Rebecca. The three of us started to talk about the kind of class Rebecca and I envisioned. One that included yoga and readings about mindfulness. And lots of journal writing. And a mid-term paper and final in which the student would explore her reactions to the practices.

Natalie, without blinking an eye, said, "that's the class I want to take THIS semester."

Rebecca and I looked at each other. "Well I suppose we could teach it as an indepedent study," I mused. Rebecca's eyes lit up. Natalie smiled.

Before long, a second student appeared. Betsaida, another A student whose only problem in college is her perfectionism. And her tendency to drive herself way past her limits. We told Betsaida what we were thinking about. And even though Betsaida was already signed up for six classes, she said, "this is the class I need!!! (Of course, it's not clear how she is going to handle a seventh class, and we are still trying to figure that one out.)

Meanwhile, though, I was dumbfounded. We had two students before we even had a class.

A third student, Yineska, arrived. She had gotten an A in my English 121Z a year ago. And she came to college at age 16 because she was so accelerated. She too has the over achieving, perfectionist gene.

To make a long story short, there were, oractically overnight, five or six Latina women wanting to sign up for the class. When I poked my head into the office of my supervisor, Maritza Martinez, to describe the class, I expected to have to sell the idea.

UH, no.

Maritza smiled. "How many students can you take?" she asked. Maritza knows all too well well the kinds of stress our EOP students face. EOP, or Educational Opportunities Program, caters to students who are economically disadvantaged. Often first-generation immigrants, or the daughters of those immigrants, these students come from financially-strapped families in inner city neighborhoods. They struggle to pay the rent and put food on the table. These students have great difficulty balancing academic pressures and their troubles at home.

Within a day or two, Rebecca and I had written a course description, selected our first readings, and set to work finding a space for the class (that's been our biggest challenge!) The first day of class we had no classroom, but the Unvierse delibered us a warm and brilliant morning, and so we gathered behind the Bio building in a beautiful garden space. On the cement steps leading down to the garden, someone had tattooed a beautiful face, a peaceful countenance that to my mind, kind of announced our class!img_0874.jpgimg_0874.jpg

Here we are in class on September 4th. It was a remarkable class. Rebecca is an amazing yoga teacher, and a wonderfully dynamic and thoughtful educator. We are delighted to be teaching this class together, to a group of very special college students, all of whom are highly enthusiastic about practicing yoga and meditation.

Like I said, it's a bit of a mystery -- no, make that a miracle !!!! -- that Rebecca and I are actually teaching this class barely a month after meeting each other. But then, when the Universe is ready for something, it is my experience that all the doors open. The seas part. And poof, the seeming improbable just

comes to be!!!!

Sunday, September 14, 2008

A (half) day in court


By Camincha

9:a.m.

Department 3. Superior Court. Redwood City, CA

The jury is deliberating a
sentence
in
a criminal trial.

Outside:

Summer. It goes to your head.
Heat. It intoxicates you.
Women. Resemble flowers:
geraniums, roses, a daffodil over there.

9:15 a.m.

The police woman, she could
she might
step
right
out of Bazaar, Elle, Vogue.
Gucci shoes. Italian hand-knitted stockings.
Someone compliments her.
Merrily, she flaps her arms, showing off,
a scarecrow hit by heavy winds.

Genuine smile: Good morning.
You are the interpreter. No?

9:30 a.m.
The bailiff in Department 4,
a serious actor with a stellar role in the stage version
of NUTS, winks:
Beautiful day, isn’t it?

10:00 a.m.
The black defendant, young kid with baby face,
innocent-looking eyes.
Why is he carrying a leather briefcase?
Why is he
wearing
designer’s shoes and shirt? Why does he look like
aA washed-down version of the elegant
police woman?
He is accompanied by a relative.

10:30 a.m.
Police woman from Bazaar, Elle, Vogue:
Well, if this fiasco ever goes....
Broadening her smile, at least the victim is safe,
upstairs. My men are babysitting him.

11:00 a.m.
Hallway is empty. Silent. Inside,
a kid’s destiny is
being
decided.

END

Camincha is a pen name for a California-based writer based in Oakland.

Tuesday, September 09, 2008

"Waking Up in New York City"


By Chloe Caldwell

The ominous 6/6/6 fell on a Tuesday, the day my older brother Trev decided to throw a party in its honor.

I arrived after everyone else. I’d been applying for jobs around Williamsburg. Everyone in my apartment but me was a Strand employee. The Strand being the bookstore of course.

Eugene was identifiable from my Mom’s tattoo description. I saw him smoking cigarettes with some guys on the fire escape. He looked approachable in his red plaid shirt and large silver belt buckle that read “ART,” so I climbed out the window to join him.

“Eugene, right? I’m Chloe, Trevor’s sister,” I said. He was straight away warm and kept making noises of affirmation while I spoke about how I’d just moved in from upstate and was looking for a job.

“Mm hm, Mm hm,” he repeated and repeated while I spoke. I thought it was a bit strange that his eyes were twitching and his head continued to nod and bob. This guy is super friendly, I thought to myself.

Trevor and my mom had both neglected to let me know that Eugene had a harsh case of Tourette’s syndrome. Months later I learned that he’d been doing a shit ton of cocaine that night, amplifying his ticks all the more. I was twenty. Just assumed he’d been agreeing with everything I said.

From the fire escape, I peered into the bathroom window and caught a colorful eyeful of Jack sitting on the toilet. He was wearing a psychedelic silk shirt that accented his rich scarlet hair. Freshly dyed. A girl was standing over him and I could tell from their motions they were arguing. When they came out, Jack crawled onto the fire escape in a hyper way.

“Heeeyyyyy Chloeee! When did you get here? Hey, how do you get your hair so curly like that?” he asked, tousling my hair and getting comfortable beside me.

Eugene and Jack broke down to me how The Strand operates. “They put the intellectuals like us in the decrepit basement. It’s like we’re overly smart and below good-looking, so they hide us down there,” Eugene said.

“Yeah, and everyone wants to fuck the Art Floor Girls,” Jack offered bluntly. “Anyone left gets put on the main floor—the generics,” he shrugged. I didn’t bring up that he’d pinned me for an Art Floor Girl, but it was on my mind.

Jack and I sat shoulder to shoulder on the fire escape in the black June night for a while. We passed his Tropicana bottle back and forth, taking turns swigging the vodka and cranberry juice. It was so acidic, each swallow sitting fiery in my stomach.

“I love your dangerous dark eyes.”

“My eyes are light green,” I corrected him.

Pause.

“They’re dark to me. You’re dark to me,” he countered.

I was flattered.

The three-in-the-morning party peak hit, and then when five a.m neared, the festivities began to die. People started to head for the door, mumbling about work the next day or catching the train. I was fixing myself another drink when I heard Jack say, “Whose shoes are these?” I looked over my shoulder and he was near the shoe rack, fondling one of my black flats.

“Probably Chloe’s?” Trev shrugged.

“Figures. Fucking poser,” Jack snapped.

I froze with my arm halfway in the freezer. Earlier in the night he’d been pleasant. I was uncertain if this was friendly banter, or if he just thought I was a huge fraud. He intimidated the hell out of me.

Eugene, Jack, Trev and I sat on the wooden floor in the unlit living room, still and drinking steadily. Jack sang his notorious song about working at The Strand. He crooned quirky lyrics while strumming dramatic and minor chords on Trevor’s guitar.

Everyone knew all of the words and sang along:

Art Floor Girls, do you wanna discuss art?
We can laugh and sound smart, and fall in love.
Art floor girls, do you wanna discuss Goya?
Or does my greasy hair annoy ya?
Art Floor Girls.
I work in the basement—well what can you do…
But Art Floor Girls, Goddamn I can make it for YOUUUU!


My brother and Eugene had already left for The Strand when I woke up hung over in the morning. Jack had the day off and was asleep on the futon. I was still jobless.

I felt anxious, a bit afraid to be alone with Jack. I toyed around the bright white kitchen, pouring quarter full beer bottles down the drain and wiping the table down with a sponge. I picked up a Marlboro red pack off the table. Shook it. No cigs.

Trashed it.

I got bored after a while and went onto the fire escape to marinate in summer, which seemed to have arrived overnight. The crown of my head ached from last night’s liquor, and the unforgiving sunrays didn’t help, but it was just my fifth morning waking up in New York City—I was still so high on my new environment that everything felt good.

Jack rose a bit later and climbed out next to me while saying, “Morning, Little Sister.” His hard eyes were softer today. He handed me a cigarette and I noticed his nails bitten to the quick. It’s rare for me to see someone else’s nails chewed down as much as mine. His were close.

“Your hands look like mine,” I told him.

“I’m aware,” he said, reaching to light the Marlboro dangling from my mouth. He watched me inhale and exhale for a moment. “You try to make smoking look too broken in. Poser,” he nudged me and cracked a smile. I felt more comfortable with him now, sharing the nail biting neurosis.

The heat eventually pushed us back inside. Jack had misplaced his drugs at the party. He dug around for them for twenty minutes while I watched from the kitchen table.

“That’s like one hundred dollars worth of dope down the drain,” he stated, irritated.

“What do you keep it in?” I finally thought to ask him. I didn’t know his covert drug compartments yet, like I’d known those of my past drug cronies.

“An old Marlboro red cigarette pack.”

“Oh. Oops.”

I walked over to the trashcan and rummaged through to retrieve the Marlboro pack that I didn’t know had been holding a tiny bag of heroin. He smiled, his eyes mischievous. “You’re a con artist,” he smirked at me. I started arguing that I hadn’t done it on purpose and he interrupted: “Just like me,” he said, smug. “Just like me.”

Chloe Caldwell is a writer living in New York City. Her day job is at the Tina Tang Studio as a Customer Service Ambassador. “Waking up in New York City” is part of a longer piece of writing.